All tagged Samuel J. Friedman Theatre
Laura Linney stars in an unnecessary and poorly adapted stage version of Elizabeth Stout’s acclaimed 2016 novel, “My Name is Lucy Barton”. Despite a grounded and forthright performance from one of the greatest actors of her generation, the play never satisfactorily justifies its existence.
Here I give an overview of a trilogy of “the” plays that opened on Broadway over the past month: “The Great Society”, “The Height of the Storm” at Manhattan Theatre Club, and “The Rose Tattoo” at the Roundabout Theatre Company.
The city that never sleeps also boasts a theatre scene that never sleeps. With the summer now behind us, this is an overview of all that’s coming to New York stages this fall (spoiler alert: it’s a lot).
Here I take a look at critic’s pick “Ink”, the last play of the 2018-2019 Broadway season, and “Frankie and Johnny in the Clair de Lune”, the first play of the 2019-2020 Broadway season.
Tony nominations and Drama Desk nominations; Laura Linney to star in "My Name is Lucy Barton"; "Oklahoma!", "What the Constitution Means to Me", and "Ink" extend; "To Kill a Mockingbird" recoups; "Bandstand" and "The Ferryman" to tour; "Rock of Ages" will return to New World Stages; New York Theatre Workshop season to include a stage version of the film "Sing Street"; "Beetlejuice" and “The Hello Girls” to record cast albums; Moliere in the Park; Rick Lyon's puppets from "Avenue Q" donated to the Smithsonian; Sarah Silverman's memoir "The Bedwetter" is being adapted as a stage musical; RIP Mark Medoff and Jo Loesser
Actors’ Equity and the Broadway League reached an agreement to end five week strike; "The Height of the Storm" to play MTC's Friedman Theatre on Broadway; "The Band's Visit" wins Grammy for Best Musical Theatre Album; Off-Broadway's Davenport Theatre closes; Adrienne Warren to reprise her celebrated performance as Tina Turner on Broadway; "Beetlejuice" and “Hadestown” announce Broadway casts; Laura Benanti extends run in "My Fair Lady"; Krystina Alabad to replace Ashley Park in "Mean Girls"; "Wicked" movie sets December 2021 release date; RIP Albert Finney and Cy Lee
The Broadway premiere of Tarell Alvin McCraney’s “Choir Boy” at Manhattan Theatre Club, finely acted and beautifully told, is transcendent. The very presence of this play on Broadway about a black, queer teenage boy navigating private, Christian Prep school life is seismic, and Jeremy Pope offers a memorable debut in this timely and important work.
Manhattan Theatre Club presents Richard Bean’s hilarious new comedy, “The Nap”, a high-stakes, low-rent farce set in the world of Snooker (British pool). A superbly comical, poised, and perfectly cast ensemble of kooky characters make this off-beat crime thriller comedy the kind of delightfully droll escape that only theatre can provide. Silly, yes, but that’s never been more needed than right now.
The 2017-2018 Broadway season comes to a close with three play revivals: an excellent, energetic production of “The Iceman Cometh” with Denzel Washington; a perfunctory and pageant-like production of “Saint Joan” starring Condola Rashad; and an absolutely ravishing London transfer of Tom Stoppard’s brilliant “Travesties”, starring Tom Hollander.
