All tagged Hudson Theatre
"American Utopia" will return to Broadway this fall; Nathan Lane and Laurie Metcalf to lead a Broadway revival of "Death of a Salesman"; Disney to release a filmed version of "Hamilton" on Broadway; Spike Lee to film "American Utopia"; "Sing Street" cast album comes out March 26th; Rebecca Luker reveals she has been diagnosed with ALS; Jeremy Jordan to replace Gideon Glick in "Little Shop of Horrors"; RIP Kevin Conway, Paula Kelly, Lynn Cohen, and Orson Bean
Sarah Jessica Parker and Matthew Broderick will reunite on stage for the first-ever Broadway revival of Neil Simon's "Plaza Suite"; 2019 Theater Hall of Fame inductees; Angela Lansbury to headline one-night-only benefit staging of "The Importance of Being Earnest"; Ari’el Stachel to star "Joseph and the Amazing Technicolor Dreamcoat" concert at Lincoln Center; Rupert Everett has replaces Eddie Izzard in "Who’s Afraid of Virginia Woolf?"; Harry Hadden-Paton and James Frain helm North American premiere of "The King’s Speech"; Gwen Verdon documentary "Merely Marvelous" premieres on September 20th; RIP Chris March, Jeff Fenholt, P.J. Barry, and Peter Nichols
The city that never sleeps also boasts a theatre scene that never sleeps. With the summer now behind us, this is an overview of all that’s coming to New York stages this fall (spoiler alert: it’s a lot).
“Sea Wall / A Life”—two monologues by two different playwrights performed by two different actors—is a unique offering for Broadway: two well-written pieces of storytelling whose power derives from the strength of their solo performance, rather than from any theatrical trappings. Following a transfer from the Public Theatre, the “play” still doesn’t justify its composition, but is saved by engaging performances by its marquee stars: Jake Gyllenhaal and Tom Sturridge.
"Hadestown" tops the Outer Critics Circle Awards; David Bryne headed to Broadway with "American Utopia"; "My Fair Lady" to close July 7th; "Oklahoma!" and "Tootsie" to tour; City Center Encores! Off Center's "Working" cast announced; "Back to the Future" musical coming to the West End; Andrew Lloyd Webber previews his “Cinderella”; Elton John and Jake Shears working on a Tammy Faye Bakker bio-musical; "The Lion King" welcomes its one hundred millionth audience member; "To Kill a Mockingbird" is the highest grossing American play ever
The last two play revivals of the 2018-2019 Broadway season could not be more different in the success of their execution. Here I take a look at Roundabout Theatre Company’s sterling production of Arthur Miller’s “All My Sons” (a critic’s pick!), and the abysmal revival of Lanford Wilson’s “Burn This”.
"Hadestown" leads in Outer Critics Circle nominations, followed by "Tootsie" and "Oklahoma!"; Disney plans revival of "Beauty and the Beast"; “Sea Wall/A Life" headed to Broadway this summer; Phylicia Rashad to direct "Blue" on Broadway next spring; Mel Brooks will play a two night residency at the Lunt Fontanne Theatre; MCC announces 2019-2020 season; "The Boys in the Band" cast to reunite for Netflix adaptation; "Survivor: The Destiny's Child Musical" will premiere in Houston; Noah Galvin to join the cast of "Waitress"; “The Lehman Trilogy" eyes Broadway; "Nowhere Boy" musical in development; "The Prom" to receive YA novel treatment; cast album news update; RIP Harvey Sabinson
"Hadestown" books the Walter Kerr, “Burn This” books the Hudson; "Head Over Heels" closing January 6th; "True Blood" musical in development; Andy Blankenbuehler to choreograph "Cats" movie; Park Avenue Armory announces 2019 season; cast announced for MCP's "The Scarlet Pimpernel"; is Springsteen trend good or bad for Broadway?; magician, actor, and author Ricky Jay is dead at 70 (or 72)
“Head Over Heels”, a new musical featuring songs by The Go-Go’s, is an upbeat, gender fluid, Renaissance retro romp that is decidedly, and refreshingly, queer. Clever enough and funny enough, though the songs are mostly lackluster, the heart of “Head Over Heels” never stops beating, and the show features a palette of diverse representation that matters.
Hal Prince turns 90 and Carol Channing turns 97; Taylor Trensch steps into "Dear Evan Hansen" early; "The Greatest Showman" may get stage adaptation; "Head Over Heels" announces theatre and cast; Hayes Theatre reopens; piece from Howard Sherman on impact of long-running shows