All tagged Will Swenson

"Beetlejuice" to close June 6th, making way for "The Music Man"; "Is This A Room" returns to the Vineyard Theatre; Red Bucket Follies raised $5.6M for BC/EFA; Chip Zien, Caissie Levy, John Cariani, and more join Sharon D. Clarke in "Caroline, or Change"; Adam Chanler-Berat, Tavi Gevinson, and Andy Grotelueschen join Judy Kuhn, Steven Pasquale, Will Swenson, Wesley Taylor, and Brandon Uranowitz in Classic Stage Company’s “Assassins”; "Slave Play" pioneers new ticket gifting program; "Little Shop of Horrors" will record a cast album; Rashidra Scott rounds out the principal cast of "Company"; Tony Goldwyn to step into "The Inheritance"; Samantha Barks to star in London bow of "Frozen"; RIP René Auberjonois, Ron Leibman, Danny Aiello, Richard Easton, and William Luce

"Mrs. Doubtfire" the musical will open at Broadway's Stephen Sondheim Theatre; the Broadway-aimed musical "Lempicka" will play La Jolla Playhouse; Tim Sanford will step down as Artistic Director of Playwrights Horizons; stars of "SpongeBob SquarePants" will reunite for a new TV adaptation that will premiere on Nickelodeon; Maria Dizzia to headline “Constitution” tour; Roger Bart joins "Back to the Future" musical; Warren Carlyle to direct and choreograph Barry Manilow's "Harmony"; first look of Carolee Carmello as Dolly Levi in the national tour of "Hello, Dolly!"

"Beetlejuice" plans events for every day of October; "Sea Wall/A Life" to be audio-recorded for Audible; Jason Robert Brown and Robert Horn's "13" musical will be made into a film; "Saturday Night Fever" 20th anniversary reunion event CSC’s "Assassins" casting announced; "Between the Lines" musical to play Off-Broadway; transgender actor Alexandra Billings will join the Broadway company of "Wicked" in January; Caissie Levy and Patti Murin will leave “Frozen” in February; MCC Theater announces a new musical development initiative

REVIEW: John Guare’s bizarre and aptly named “Nantucket Sleigh Ride”

Lincoln Center Theater presents a strange, funny, and somewhat confounding new comedy by esteemed playwright John Guare that is a bizarre romp through the recesses of memory and the meaning of story.  Tautly told and energetically performed, the play remains entertaining, though incomplete—a great whale that Mr. Guare has harpooned for audiences to follow in our own “Nantucket Sleigh Ride”.

REVIEW: At last, “Jerry Springer—The Opera”

After a 15 year wait, “Jerry Springer—The Opera” has finally arrived in New York in a spectacular and profane production with an excellent cast headed by Terence Mann; unfortunately, the shock value is low and the vulgarity gratuitous, and mostly humorless.  The show’s value lies in its role as mirror to our society, but that point remains too understated and insufficiently explored to make a lasting impact.