All tagged Wesley Taylor

"Beetlejuice" to close June 6th, making way for "The Music Man"; "Is This A Room" returns to the Vineyard Theatre; Red Bucket Follies raised $5.6M for BC/EFA; Chip Zien, Caissie Levy, John Cariani, and more join Sharon D. Clarke in "Caroline, or Change"; Adam Chanler-Berat, Tavi Gevinson, and Andy Grotelueschen join Judy Kuhn, Steven Pasquale, Will Swenson, Wesley Taylor, and Brandon Uranowitz in Classic Stage Company’s “Assassins”; "Slave Play" pioneers new ticket gifting program; "Little Shop of Horrors" will record a cast album; Rashidra Scott rounds out the principal cast of "Company"; Tony Goldwyn to step into "The Inheritance"; Samantha Barks to star in London bow of "Frozen"; RIP René Auberjonois, Ron Leibman, Danny Aiello, Richard Easton, and William Luce

"Beetlejuice" plans events for every day of October; "Sea Wall/A Life" to be audio-recorded for Audible; Jason Robert Brown and Robert Horn's "13" musical will be made into a film; "Saturday Night Fever" 20th anniversary reunion event CSC’s "Assassins" casting announced; "Between the Lines" musical to play Off-Broadway; transgender actor Alexandra Billings will join the Broadway company of "Wicked" in January; Caissie Levy and Patti Murin will leave “Frozen” in February; MCC Theater announces a new musical development initiative

Hugh Jackman to lead fall 2020 Broadway revival of "The Music Man"; "The Humans" to get film adaptation; "Network" recoups; Broadway-aimed Britney Spears jukebox musical books Chicago; "Avenue Q" postpones closing by one month; April Matthis replaces Uzo Aduba in Roundabout's "Toni Stone"; cast set for D.C. concert production of "The Who’s Tommy"; 2016-2017 "Ethnic Representation on New York City Stages" study results; the latest "R&H Goes Pop!" video; RIP George Morfogen

REVIEW: “SpongeBob SquarePants” to the rescue!

"SpongeBob SquarePants”—a bright, silly, and sweet new party of a musical—is big-hearted and big fun; director and conceiver Tina Landau has skillfully adapted the popular Nickelodeon cartoon for the stage in a buoyant and exuberant production that is both entertaining and moving for theatregoers of all ages, offering a welcomed antidote to these beleaguered times.