Here I give an overview of a trilogy of “the” plays that opened on Broadway over the past month: “The Great Society”, “The Height of the Storm” at Manhattan Theatre Club, and “The Rose Tattoo” at the Roundabout Theatre Company.
All tagged Robert Schenkkan
FEATURE: 2019 Fall Season Preview
The city that never sleeps also boasts a theatre scene that never sleeps. With the summer now behind us, this is an overview of all that’s coming to New York stages this fall (spoiler alert: it’s a lot).
"Frankie and Johnny" closing a month early; "Beautiful" will close on October 27th and "Waitress" will close on January 5th; Jeremy O. Harris' "Slave Play" will play a 17 week run at the Golden Theatre; Robert Schenkkan's "The Great Society" will play a 12 week run at Broadway's Vivian Beaumont Theatre; starry productions of "Little Shop of Horrors" slated for Off-Broadway and Pasadena Playhouse; cast announced for Ivo van Hove's upcoming "West Side Story"; "Fairview" extends to August 11th; "What the Constitution Means to Me" recoups; Jack Viertel will retire as artistic director of the annual Encores! at City Center; Paul McCartney has written a musical adaptation of "It's a Wonderful Life"; RIPHugh Southern, former executive director of TDF and co-conceiver of the TKTS booth in 1973
REVIEW: Edie Falco in “The True”
In “The True”, playwright Sharr White dramatizes the 1977 Albany Mayoral primary election from a domestic, interpersonal perspective. Edie Falco is fiercely magnetic as real life, foul-mouthed political operative Polly Noonan, but the play itself is rarely compelling and suffers from sedentary staging and unrealistic expository conversations that explain complex—and fundamentally uninteresting—political dynamics.