All tagged Dominique Morisseau
“Ain’t Too Proud: The Life and Times of The Temptations” is a seamless, slick, and exuberantly entertaining new musical that reclaims the “jukebox” genre with an energetic, fast-moving, and engrossing portrait-like study of The Temptations. This show looks good, sounds good, and feels good, and is easily one of the best catalogue musicals ever to grace The Great White Way.
Scott Rudin to produce "Hillary and Clinton" by Lucas Hnath starring Laurie Metcalf and John Lithgow; "Girl from the North Country" eyes the Walter Kerr Theatre; "TINA: The Tina Turner Musical" poised for Broadway in fall 2019; Dominique Morisseau named a MacArthur Foundation "Genius Grant" recipient; "Dear Evan Hansen" to open in London in fall 2019; "The Phantom of the Opera" to launch a new world tour in February; TKTS booths now display prices (vs. percentage discounts) at all locations; French singer Charles Aznavour dead at 94
"Carousel" closing September 16th; “Tootsie” books the Marquis; "Network" to play the Cort; all female revival of "Glengarry Glen Ross" coming to Broadway next May; Michael C. Hall will star in "Thom Pain (Based on Nothing)"; "Pipeline" to play select cinemas; "Once on This Island" wins Equity award for diversity; trans actor Kate Bornstein responds to heckling; list of the most produced high school musicals and plays; producer John Glines dead at 84
Roundabout revival of "Kiss Me, Kate" will play Studio 54 beginning February 14th; Sasson Gabay joins “The Band’s Visit” June 26th; jukebox musicals are courting top talent, including playwrights Lynn Nottage and Dominique Morisseau; The New Group announces its 2018-2019 season, including "Clueless: The Musical"; book recommendations and a must read letter from the Dramatists Guild
Dominique Morisseau completes her “Detroit Cycle” with “Paradise Blue”, a tail-end jazz-age noir tale about the cost of history and bigotry through the lens of Detroit’s racist city planning in the late 1940s. Expertly written in the vein of August Wilson and Tennessee Williams, rivetingly staged by Ruben Santiago-Hudson, and finely acted by a terrific ensemble, this play is another triumphant entry by Ms. Morisseau, and a “must see” of the spring season.
“Admissions” is a provocative new play by Joshua Harmon that pierces the veil of “white liberalism” to reveal simmering interpersonal issues that contradict beliefs in institutional ideals. Smartly staged and exquisitely acted, this play poses uncomfortable but important questions about race, identity, and privilege as our country navigates an increasingly divisive and siloed discourse.
Run, don’t walk, to get seats for “Pipeline” before it closes on Sunday.
