In “The True”, playwright Sharr White dramatizes the 1977 Albany Mayoral primary election from a domestic, interpersonal perspective.  Edie Falco is fiercely magnetic as real life, foul-mouthed political operative Polly Noonan, but the play itself is rarely compelling and suffers from sedentary staging and unrealistic expository conversations that explain complex—and fundamentally uninteresting—political dynamics.