All in Podcast
On this week’s show, Jamie and Rob are joined at Orso Restaurant by “one singular sensation”: Priscilla Lopez! Currently starring in “Grand Horizons” on Broadway, Priscilla talks about her storied career, from her Broadway debut that wasn’t—the two performance flop “Breakfast at Tiffany’s”—to replacement gigs in “Company” and “Pippin”, and her landmark creation of Diana Morales in “A Chorus Line”.
On this episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by Christian Lewis, theatre critic and Outer Critics Circle member, and Ayanna Prescod, theatre critic and founder of OurBKSocial, for a roundtable conversation about “Grand Horizons”, “Little Shop of Horrors”, and “Moulin Rouge!”
On this week’s episode, Rob and Jamie go in deep with all things “Mack & Mabel”, discussing Jerry Herman’s legendary flop as it returns to New York for the first time in 46 years with a new production at New York City Center’s Encores!
On this week’s episode, Jamie and Rob are joined by Ben Brantley, co-chief theater critic for The New York Times. A consummate journalist and celebrated writer, Ben talks about how he came to the Times, his tenure there since 1993, his writing process, what theater criticism means to him, and why he loves the theater.
On this episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by David Gordon, theatre critic, senior features reporter, and principal photographer at Theatermania.com, and Casey Mink, senior staff writer at Backstage, for a roundtable conversation about three top shows on Broadway: “My Name Is Lucy Barton”, “Is This A Room”, and “A Soldier’s Play”.
This week’s episode is a special live taping from the mainstage at BroadwayCon! Jamie, Rob, and Jennifer are joined by stars of the critically acclaimed, Tony Award-winning best musical “Hadestown”: Reeve Carney, Eva Noblezada, Jewelle Blackman, Yvette Nacer Gonzalaz, and Kay Trinidad.
On this week’s show, Jamie and Rob speak with Peter Lawrence, the man who literally wrote the book on stage management. With a career spanning four decades, Peter has worked as a production stage manager on over thirty Broadway shows, including “Ain’t Misbehavin’”, “Sunset Boulevard”, and “Spamalot”— often collaborating with legendary greats like Mike Nichols, Neil Simon, Gene Saks, and Manny Azenburg.
On this episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by Jose Solís, freelance theatre critic, writer, and podcaster, and Louis Peitzman, freelance culture writer, for a roundtable conversation about three top shows on Broadway: “Tina: The Tina Turner Musical”, “American Utopia”, and “The Inheritance”.
On this week’s special in-depth package show, Rob and Jamie sit down with a cross section of theatre critics to talk about who they are, what they do, why they do it, and how they do it, in addition to their thoughts on the state of theatre criticism and the future of the form. You’ll hear from Ben Brantley, Helen Shaw, Jose Solís, Nicole Serratore, and Christian Lewis. Tune in and find out why “everyone is a critic”.
On this week’s episode, Jamie and Rob are back at Orso where they are joined by Tom Schumacher, President of the Disney Theatrical Group and Chairman of the Board of the Broadway League. Together, they discuss his incredible career, the impact of Disney on Broadway, and Tom’s spectacular book, “How Does The Show Go On”, now in its third edition.
On the first episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by Casey Mink, senior staff writer at Backstage, and Ayanna Prescod, theatre critic and founder of OurBKSocial, for a roundtable conversation about three top shows of the fall season: “Slave Play”, “Our Dear Dead Drug Lord”, and “Jagged Little Pill”.
On this week’s show, Jamie, Rob, and Jennifer are joined by Tony and Academy Award nominated star of stage and screen, Barbara Barrie, who originated the role of Sarah in Stephen Sondheim and George Furth’s landmark musical “Company” in 1970. We discuss that iconic show, including her experience working with Harold Prince and Elaine Stritch, and the legendary eighteen hour recording session of the original cast album. Later on, Rob gives more background on the famous documentary about that recording session.
