All in Play

REVIEW: Billy Crudup is astonishing in “Harry Clarke”

Billy Crudup is simply captivating and astonishing as he seamlessly summons 15 characters in David Cale’s one-person thriller “Harry Clarke”.  At once funny, sexy, and scary, the elements of this crisp production exist in exquisite harmony, balanced and honed by the production team to achieve a memorable and chilling evening at the theatre.  You do not want to miss Mr. Crudup’s performance in this superb play.

REVIEW: "Admissions"

“Admissions” is a provocative new play by Joshua Harmon that pierces the veil of “white liberalism” to reveal simmering interpersonal issues that contradict beliefs in institutional ideals.  Smartly staged and exquisitely acted, this play poses uncomfortable but important questions about race, identity, and privilege as our country navigates an increasingly divisive and siloed discourse.

REVIEW: TACT’s charming “Three Wise Guys”

“Three Wise Guys” is a charming new comedy based on Prohibition-era short stories by Damon Runyon, featuring a lovable cast of thieves, bootleggers, socialites, and chorus gals on a zany, Christmas Eve romp.  Cleverly designed, it offers light, low-budget, fun fare guaranteed to deliver laughs, smiles, and a carefree chance to escape for a little while.

REVIEW: “Amy and the Orphans”

“Amy and the Orphans”, a new comedy by Lindsey Ferrentino based on her family, both features a title character and stars an actor with Down syndrome, an important milestone in New York theatre.  The play, which examines the relationships among three disparate, adult siblings and explores the meaning of “family” and “home”, is stunted and static in character and plot development.  I sense the playwright is too close to the material.

REVIEW: "America is Hard to See"

 “America is Hard to See” by Life Jacket Theatre Company is a new documentary play with music that explores the lives of a community of child sex offenders in Florida, testing the limits of our capacity for empathy and forgiveness.  Deeply unsettling, surprisingly humane, and ultimately uplifting, it is a powerful play that provokes more questions than answers, and is guaranteed to leave you changed.

REVIEW: “He Brought Her Heart Back In A Box”

Trailblazing experimental African American playwright Adrienne Kennedy’s powerful new play, “He Brought Her Heart Back in a Box”, pieces together an anatomy of interracial young love amidst 1940s Georgia, stewing in the horrific inescapability of history, the tragedy of racism, and contradictions of life in the Jim Crow South.  Dense, quick, sentimental, angry, and mysterious, this is one new work from a legend worth checking out.