Everybody needs charm, as Mama Darleena says. And everybody needs “Charm”—this heartwarming comedy about finding love and respect within the trans and queer community. The play isn’t perfect, but it is important.
All in Play
REVIEW: “As You Like It” in Identity Crisis
Lovers of Shakespeare looking for a droll if-uninspired jaunt might enjoy this production of "As You Like It", otherwise skip this ill-conceived and ill-executed adaption, and wait for a better production by director John Doyle.
NOTES: See “A Doll’s House: Part 2” before Nora leaves again
“A Doll’s House: Part 2” was the best and most rewarding surprise of the 2016-2017 Broadway season - if you have a free night this week, grab a ticket to see it before it’s gone.
REVIEW: Growing Up and Growing Old in “For Peter Pan on her 70th Birthday”
Sarah Ruhl’s latest play, “For Peter Pan on her 70th” Birthday”, which opened at Playwrights Horizons on Wednesday night, poses some good questions but falls short of being the play it could and ambitiously set out to be.
REVIEW: “The Terms of My Surrender” – Story Time with Michael Moore
Oscar-winning filmmaker Michael Moore’s mostly-one man show “Michael Moore: The Terms of My Surrender” opened on August 10th to middling, mildly-hostile reviews. Since Mr. Moore’s show was announced, I had wondered to myself: “what is this?” Last Tuesday, I found out.
REVIEW: We Die Soon – Morisseau’s “Pipeline”
Run, don’t walk, to get seats for “Pipeline” before it closes on Sunday.